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Romance is the eighth studio album by Mexican singer Luis Miguel. It was released by WEA Latina on 19 November 1991. Although the production was originally intended as another collaboration with Juan Carlos Calderón, that plan was scrapped when Calderón was unable to compose songs for the album. Facing a new-material deadline in his recording contract, at his manager's suggestion Miguel chose bolero music for his next project. Mexican singer-songwriter Armando Manzanero was hired by WEA Latina to co-produce the album with Miguel. Recording began in August 1991 at Ocean Way Recording in Hollywood, California, with Bebu Silvetti the arranger.
On the album Miguel covers twelve boleros, originally recorded from 1944 to 1986. The first two singles, "Inolvidable" and "No Sé Tú", reached number one on the Billboard Hot Latin Songs chart in the United States and spent six months atop the Mexican charts. "Mucho Corazón" and "Cómo" were in the top five of the Hot Latin Songs chart, and "Usted" and "La Barca" received airplay throughout Latin America. Miguel promoted the record with a tour of the United States and Latin America. The album was generally well received by music critics, who praised Miguel's singing and the record's production. The singer received several accolades, including a Grammy nomination for Best Latin Pop Album. (Full article...)
The Mexican War of Independence (Spanish: Guerra de Independencia de México, 16 September 1810 – 27 September 1821) was an armed conflict and political process resulting in Mexico's independence from the Spanish Empire. It was not a single, coherent event, but local and regional struggles that occurred within the same period, and can be considered a revolutionary civil war. It culminated with the drafting of the Declaration of Independence of the Mexican Empire in Mexico City on September 28, 1821, following the collapse of royal government and the military triumph of forces for independence.
Mexican independence from Spain was not an inevitable outcome of the relationship between the Spanish Empire and its most valuable overseas possession, but events in Spain had a direct impact on the outbreak of the armed insurgency in 1810 and the course of warfare through the end of the conflict. Napoleon Bonaparte's invasion of Spain in 1808 touched off a crisis of legitimacy of crown rule, since he had placed his brother Joseph on the Spanish throne after forcing the abdication of the Spanish monarch Charles IV. In Spain and many of its overseas possessions, the local response was to set up juntas, ruling in the name of the Bourbon monarchy. Delegates in Spain and overseas territories met in Cádiz—a small corner of the Iberian Peninsula still under Spanish control—as the Cortes of Cádiz, and drafted the Spanish Constitution of 1812. That constitution sought to create a new governing framework in the absence of the legitimate Spanish monarch. It tried to accommodate the aspirations of American-born Spaniards (criollos) for more local control and equal standing with Peninsular-born Spaniards, known locally as peninsulares. This political process had far-reaching impacts in New Spain during the independence war and beyond. Pre-existing cultural, religious, and racial divides in Mexico played a major role in not only the development of the independence movement but also the development of the conflict as it progressed. (Full article...)
Very few details are known of Moreno González's early life, but the authorities believe that religion played a major role in his upbringing. Although born in Michoacán, Moreno González moved to the United States as a teenager, but fled back into Mexico about a decade later to avoid prosecution on drug trafficking charges. In 2004, the drug boss Carlos Rosales Mendoza was captured, and Moreno González, alongside José de Jesús Méndez Vargas, took control of La Familia Michoacana. Unlike other traditional drug trafficking organizations in Mexico, his organization also operated like a religious cult, where its own members were given "bibles" with sayings and conduct guidelines. Moreno González reportedly carried out several philanthropic deeds to help the marginalized in Michoacán. Such deeds helped him craft an image of protector, saint, and Christ-like messianic figure among the poor, and gave La Familia Michoacana a level of influence among some natives. (Full article...)
Born in Oaxaca to a poor, rural, Indigenous family and orphaned as a child, Juárez passed under the care of his uncle, eventually moving to Oaxaca City at the age of 12, where he found work as a domestic servant. Sponsored by his employer who was also a lay Franciscan, Juárez temporarily enrolled in a seminary and studied to become a priest, but he later switched his studies to law at the Institute of Sciences and Arts, where he became active in Liberal politics. He began to practice law and was eventually appointed as a judge, after which he married Margarita Maza, a woman from a socially distinguished family in Oaxaca City. (Full article...)
A calavera (Spanish – pronounced[kalaˈβeɾa] for "skull"), in the context of the Day of the Dead, is a representation of a human skull or skeleton. The term is often applied to edible or decorative skulls made (usually with molds) from either sugar (called Alfeñiques) or clay, used in the Mexican celebration of the Day of the Dead(Spanish: Día de Muertos) and the Roman Catholic holiday All Souls' Day. Calavera can also refer to any artistic representations of skulls or skeletons, such as those in the prints of José Guadalupe Posada, or to gifts or treats in relation to the Day of the Dead. Some widely known calaveras are created with cane sugar, decorated with items such as colored foil, icing, beads, and sometimes objects such as feathers. They range in multiple colors.
Traditional methods for producing sugar skulls with molds have been in use for a long time, though the first known mention of the sale of skeletal figures dates to the 1740s. The sugar skulls were originally created as gifts, to be eaten by children. They are sometimes now used as offerings to be placed on altars known as ofrendas ("offerings") for Día de Muertos. It has been argued that the tradition has roots in indigenous celebrations, by groups including the Aztec, Mayan, and Toltec commemorations. However, what we now call Day of the Dead is more Catholic than indigenous because the Spanish tried to eradicate indigenous religions Moreover, as Stanley Brandes has argued, these skulls and skeletons have nine characteristics. They are: (1) ephemeral; (2) seasonal; (3) humorous; (4) secular; (5) commercial; (6) made for living people; (7) meant to be played with; (8) small and transportable; (9) made and consumed by an urban population. They are "lighthearted emblems of death." Thus they are not derived from sacred Mesoamerican traditions. (Full article...)
Image 2Battle of Tampico (1829) a conflict between Mexican forces led by General Antonio López de Santa Anna and Spanish loyalists attempting to reconquer Mexico, resulting in a decisive Mexican victory that further solidified Mexico's independence from Spain. (from History of Mexico)
Image 3Comanchería, territory controlled by the Comanches, prior to 1850 (from History of Mexico)
Image 20Murals of Bonampak (between 580 and 800 AD) (from Culture of Mexico)
Image 21The Volkswagen Beetle, known in Mexico as the "Vocho," is perhaps the most iconic classic car in the country. Its production in Mexico began in 1967, and it continued until 2003, making it a symbol of Mexican automotive culture. (from Culture of Mexico)
Image 29Porfirio Díaz dominant Mexican political and military figure who served as President for much of the late 19th and early 20th centuries, characterized by his long rule and the modernization efforts known as the Porfiriato. (from History of Mexico)
Image 30Colossal atlantids, pyramid B, Toltec, Tula, Mexico, ca. 900–1180 AD (from History of Mexico)
Image 35General Santa Anna known for his leadership during the Texas Revolution, Mexican-American War, and turbulent periods of Mexican history marked by political instability and territorial losses. (from History of Mexico)
Image 40Battle of Miahuatlán took place on 3 October 1866. The liberal victory at Miahuatlán was significant because it allowed them to consolidate their control over southern Mexico and advance their agenda of liberal reforms (from History of Mexico)
Image 48Shield Jaguar and Lady Xoc, Maya, lintel 24 of temple 23, Yaxchilan, Mexico, ca. 725 ce. (from History of Mexico)
Image 49Chacmool, Maya, from the Platform of the Eagles, Chichen Itza, Mexico, ca. 800–90 CE (from History of Mexico)
Image 50President Obregón. Note that he lost his right arm in the Battle of Celaya (1915), earning him the nickname of Manco de Celaya ("the one-armed man of Celaya"). (from History of Mexico)
Image 51Logo of the Partido Nacional Revolucionario, with the colors of the Mexican flag (from History of Mexico)
Image 53Battle of Centla, the first time a horse was used in battle in a war in the Americas. Mural in the Palacio Municipal of Paraíso, Tabasco (from History of Mexico)
Image 54A unit of Cristeros preparing for battle. (from History of Mexico)
Image 62Ignacio Comonfort significant role during the tumultuous period of the mid-19th century, including the Reform War and early stages of the Mexican Republic's transition. (from History of Mexico)
Image 64Plutarco Elías Calles politician and revolutionary general who served as President of Mexico from 1924 to 1928, known for his role in shaping modern Mexico through reforms and the consolidation of state power. (from History of Mexico)
Image 65Agustín de Iturbide the first Emperor of Mexico in 1822 after leading the Mexican War of Independence against Spain, but his reign was short-lived, lasting only until 1823 when he abdicated, and Mexico transitioned to a republic. (from History of Mexico)