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Agnostic Front playing in Rome, Italy in 2007

New York hardcore (also known as NYHC) is both the hardcore punk music created in New York City and the subculture and lifestyle associated with that music. New York hardcore grew out of the hardcore scene established in Washington, D.C., by bands such as Bad Brains and Minor Threat. Initially a local phenomenon of the 1980s and 1990s, New York hardcore eventually grew to establish an international reputation with little to moderate mainstream popularity but with a dedicated and enthusiastic underground following, primarily in Europe and the United States. With a history spanning over more than four decades, many of the early New York hardcore bands are still in activity to this day. Some of them (including the Cro-Mags, Sick of It All, Agnostic Front and Murphy's Law) have been continuously or almost continuously active since their formation as well as having reunion shows.

Music

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Origins

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CBGB was one of the main venues for the New York hardcore scene

The origins of New York's punk rock scene can be traced back to such sources as late 1960s trash culture and an early 1970s underground rock movement centered on the Mercer Arts Center in Greenwich Village, where the New York Dolls performed.[1] In early 1974, this early punk scene began to develop around the CBGB club, also in lower Manhattan, featuring groups and musicians like Television,[2] Richard Hell,[3] Patti Smith,[4] the Ramones[5] the Heartbreakers[6] and Jayne County[7] The New York hardcore scene particularly grew of out of the section of this punk scene that was documented on the 1982 New York Thrash compilation, with groups like the Stimulators, the Eliminators and the Mad.[8]

After the breakup of the Eliminators, the band's bass player Vinnie Stigma formed Agnostic Front.[9] The band soon became the godfathers of New York Hardcore and one of the scene's most crucial bands.[10] Around the same time the term "hardcore" started being used instead of "punk rock". Roger Miret of Agnostic Front asserts that "We started using the term 'hardcore' because we wanted to separate ourselves from the punk scene that was happening in New York at the time ... We were rougher kids living in the streets. It had a rougher edge".[11] The scene emerged around 1981, when members of Agnostic Front, Cause for Alarm, Kraut, Murphy's Law and Antidote began to spend time together on Avenue A and performing at A7 in Manhattan.[12] Rock clubs like Max's Kansas City, the Ritz and CBGB's also quickly became crucial spots for this newly formed scene.[8][12]

Developments

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Florida band Assück playing New York venue ABC No Rio

New York City would come to play a central role in the development of hardcore. In 1981 the Bad Brains moved from DC to New York and an important scene finally emerged, this is regarded a key point in NYHC as the Bad Brains had an enormous impact on local bands at the time. Besides the main influences of Bad Brains, Minor Threat and the Los Angeles punk scene; New Jersey horror punk band The Misfits as well as midwest groups Necros and especially Negative Approach are also regarded as early influences on the NYHC scene and the development of a rawer and more aggressive hardcore sound. Early NYHC skinhead bands like the Cro-Mags and Agnostic Front were also heavily influenced by Oi! music as well as English punk bands like the Clash.

In the late-1980s, many clubs, namely CBGB began to refuse to book hardcore bands to perform, due to the increasing violence and gang behavior that was present at them. This also led many long time members of the scene to depart.[12]

Crossover period

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Main article: Crossover thrash

After the release of Metallica's 1983 debut album Kill 'Em All, New York hardcore bands began embracing elements of heavy metal music, especially thrash metal. This event caused the scene to expand, with the average attendance at shows jumping from around 100 to over 400.[13] One of the earliest New York hardcore bands to embrace heavy metal influences was NYC Mayhem.[14] In the following years many crossover thrash bands began to form within the scene, notably Leeway, Crumbsuckers, Nuclear Assault[15] and Ludichrist.[16] New York metal bands like Anthrax and Carnivore began attending and performing at hardcore shows,[17] and many original NYHC bands became increasingly heavier and harder in sound as the metal influences grew stronger, consequently some NYHC bands who were previously skinheads started growing their hair and adopting metal looks. Agnostic Front released the crossover album Cause for Alarm in 1986, which led many in the scene to deride them as sell outs.[13] Writer Freddie Alva stated in a 2014 article that "[Cause for Alarm's] combination of heavy metal precision and hardcore energy created a landmark for the crossover sound".[15]

The Cro-Mags released the crossover album, Best Wishes in 1989, which also heavily impacted the scene. The album was cited as a major influence by much of the 1990s New York hardcore scene, particularly Biohazard, Merauder and Candiria.[17]

Youth crew

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Main article: Youth crew

Youth crew was a movement that began in the mid-to-late 1980s as a reaction against the metal influences being embraced in New York hardcore. Youth crew bands began playing a sound that called back to earlier punk rock–leaning hardcore acts.[18] The movement was fronted by Youth of Today, who coined the name on their 1985 song "Youth Crew". Gorilla Biscuits and Bold were also prominent bands in the style.[19] Straight edge and vegetarianism were also defining features of this movement,[18] however this led to many older members of the scene rejecting the movement. Because of this, New York youth crew became an isolated entity separate from the wider hardcore scene. From within the youth crew scene, emerged bands like Sick of It All and Warzone, who did not necessarily adhere to all of its elements but would prove influential to many subsequent hardcore bands.[20] Later youth crew bands, namely Judge, began to take heavily from metal, helping to lead to the development of heavy hardcore.[18] New York youth crew began to decline in popularity and prominence following the 1988 Tompkins Square Park riot and 1990 departure of Ray Cappo from Youth of Today.[20]

Tough guy hardcore

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As the scene progressed many bands began to emerge that took significant influence from heavy metal and hip hop. Some musicians in the New York hardcore scene cultivated a "tough guy ethos" through use of criminal violence and bigotry.[21] For some bands, particularly the Cro-Mags there was an active effort to search out musicians who bore this ethos.[22] This was prominent enough within the band's sound that AllMusic writer Patrick Kennedy called their 1986 debut album the Age of Quarrel the "finest hour... [of] tough-guy hardcore".[23]

Over time, many of these bands began to develop a unique style that was based more around rhythm and less around the influence of punk. The palm muting guitar technique was a key aspect of this sound.[21] According to writer Tony Rettman, in his book NYHC (2015), Yonkers, New York band Breakdown, formed in 1987, were one of the first bands to define tough guy hardcore. The same year Judge released their debut EP New York Crew, which Crack magazine described as the record that took New York's "tough guy mentality to new heights".[24] Other bands pushing this sound at the time included Sick of It All, Sheer Terror and Killing Time.[25][26]

Madball were credited by Riverfront Times as the band that defined tough guy hardcore.[27]

This sound was later expanded upon by groups from outside of New York, including Blood for Blood, Death Before Dishonor, Terror and Trapped Under Ice.[28]

1990s

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Early 1990s bands like Merauder, Darkside NYC and Confusion incorporated strong thrash and death metal leanings, pioneering an early metalcore sound; other second generation groups like Biohazard, Madball, Skarhead and 25 Ta Life were heavily influenced by hip-hop music, an influence which permeated through most of the mid to late 1990s NYHC scene.[29][30] At this time, the scene was primarily based around the Bond Street Café on Bond Street, Manhattan. By 1993, Brownies, Coney Island High and the Wetlands Preserve became frequented venues, and CBGB recommenced hosting Sunday matinees.[12]

In the mid-1990s, the New York hardcore scene expanded outward into much of the New York metropolitan area and New York state, which gave rise to Vision of Disorder, Crown of Thornz and No Redeeming Social Value.[12]

Influence, aesthetics and ideology

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The New York hardcore logo

The "New York hardcore logo" is a symbol attached to the scene which features the letters "NYHC" within the quadrants of an X shape. The symbol was created by the Abused vocalist Kevin Crowley.[31]

Since its early stages, New York hardcore has been heavily associated with hardcore skinhead culture (unrelated to neo-Nazi skinheads), gang ideology and tattoo culture as well as squatting. In the mid to late 1980s, Youth Crew ideology and graffiti culture started to make an impact on the scene and had a long-lasting influence on the genre. Critics and observers have also noted an inspiration and influence from gritty, urban and/or dystopian films such as Death Wish, Taxi Driver, The Warriors, and Escape From New York.[32] Historically, political stances in New York Hardcore have been varied and sometimes controversial.

Some of the mid-1980s NYHC groups were aligned with right-wing ideology and had strong stances on immigration and patriotism, all the while openly condemning racism and nazism. Similarly, leftist groups associated with the scene such as Born Against and Nausea also exist within the scene.[32] Naturally, conflict can sometimes arise between the two groups.

Beginning with Cro-Mags and inspired by the spirituality of the Bad Brains, some groups also followed the International Society for Krishna Consciousness.[32] By the mid-1990s, NYHC became an international phenomenon with prominent bands all over the globe being heavily influenced by the genre, such as Integrity from Cleveland, Strife from Los Angeles, Hatebreed from Connecticut, and Cold As Life from Detroit; an important scene also emerged in Europe with Kickback from France, Ryker's from Germany, Arkangel from Belgium and Backfire from Netherlands, amongst many others.

Sam McPheeters argues that:

What early New York Hardcore bands lacked in distinctive output, however, they more than compensated for in sheer menace. As the scene coalesced in Reagan's first term, the New York Hardcore scene—known in the shorthand of graffiti and knuckle tattoos as NYHC—injected class into the subculture in a way that no other city could. It was a world marinating in poverty and violence.[32]

Hare Krishna

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Ray Cappo, a prominent figure in the scene and an adherent of Hare Krishna
Main article: Krishnacore

Many New York hardcore musicians are followers of the Gaudiya Vaishnavism religious organisation the International Society for Krishna Consciousness (ISKCON). Although some hardcore punk bands had already made references to Krishna Consciousness in the 1980s, the religion was most prominent through bands established in the early 1990s by the bands Shelter and 108.[33] One of the first members of its scene to adopt Krishna Consciousness was John Joseph of the Cro-Mags.[34] New York bands Antidote and Cause for Alarm were among the first that began to explore Krishna Consciousness in both their creative and personal lives,[35][36] The main influence to on many musicians to embrace ISKCON was the Washington D.C.'s hardcore band the Bad Brains which, despite being Rastas, they "grafted fervent spirituality onto an otherwise nihilistic and antitranscendental genre."[37]

See also

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References

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  1. ^ Savage 1991, pp. 86–90, 59–60.
  2. ^ Walker (1991), p. 662.
  3. ^ Savage (1992), p. 89.
  4. ^ "Patti Smith—Biography". Arista Records. Archived from the original on November 3, 2007. Retrieved 2007-10-23. Strongman (2008), p. 57; Savage (1991), p. 91; Pareles and Romanowski (1983), p. 511; Bockris and Bayley (1999), p. 106.
  5. ^ Savage 1991, pp. 90–91.
  6. ^ Isler, Scott; Robbins, Ira. "Richard Hell & the Voidoids". Trouser Press. Archived from the original on October 22, 2007. Retrieved 2007-10-23.
  7. ^ Walsh (2006), p. 27.
  8. ^ a b Blush, Steven (October 19, 2010). American Hardcore: A Tribal History (Second Edition). Feral House. pp. 193–194, 137, 140. ISBN 9780922915712. Retrieved 15 February 2016.
  9. ^ Vinnie Stigma, Drew Stone (3 May 2020). The NYHC Chronicles Live Episode 13 (video).
  10. ^ "AGNOSTIC FRONT To Team Up With SICK OF IT ALL For Spring 2020 East Coast Tour". Blabbermouth.net. Retrieved 9 June 2021.
  11. ^ Jason Buhrmester, "Agnostic Front's Victim in Pain at 25", Village Voice, December 1, 2009.
  12. ^ a b c d e Stahl, Michael. "The Last Time New York Was Hardcore". Retrieved 11 June 2021.
  13. ^ a b Rettman, Tony. "The Crossover Of Hardcore & Metal – An Exclusive Excerpt From NYHC: NEW YORK HARDCORE 1980–1990". Crossover Rettman. Retrieved 9 June 2021.
  14. ^ Ramadier, Laurent. "Cryptic Slaughter". Archived from the original on July 28, 2018. Retrieved 28 July 2018.
  15. ^ a b Alva, Freddy. "The Heavy Metal Roots of New York Hardcore". Retrieved 9 June 2021.
  16. ^ Alexandros Anesiadis, Crossover The Edge: Where Hardcore, Punk and Metal Collide, London: Cherry Red Books, 2019, p. 36.
  17. ^ a b The New York Hardcore Chronicles Film (Documentary). Event occurs at 43m. Retrieved 9 June 2021.
  18. ^ a b c Rettman, Tony (14 November 2017). Straight Edge A Clear-Headed Hardcore Punk History.
  19. ^ "[Youth of Today] spearheaded the almost jock-like "Youth Crew" movement embraced by some and mocked by others in the late '80s (ever heard the phrase '88 hardcore'?). [...] YOT's no-frills music was filled with such now public-domain signifiers as gang vocals and 'heavy breakdowns' ... " Ryan J. Downey, "Youth of Today", "Blood Runs Deep: 23 Bands Who Shaped the Scene", Alternative Press #240, July 2008, p. 109.
  20. ^ a b The New York Hardcore Chronicles Film (Documentary). Event occurs at 1h17m. Retrieved 9 June 2021.
  21. ^ a b Sanneh, Kelefa (March 9, 2015). "How Hardcore Conquered New York". The New Yorker. Archived from the original on January 4, 2019. Retrieved June 7, 2021.
  22. ^ Rettman, Tony (2015). NYHC : New York Hardcore 1980–1990. Brooklyn, NY. p. 212. ISBN 9781935950127. Underneath his facade and front street thing, Harley below all that is a real artist. Even though he was trying to form this band of tough guys, he had very little tolerance for people who had genuine power; this parade of knuckleheads went by the wayside quickly.{{cite book}}: CS1 maint: location missing publisher (link)
  23. ^ Kennedy, Patrick. "Before the Quarrel – Cro-Mags". AllMusic. Archived from the original on November 13, 2017. Retrieved November 12, 2017.
  24. ^ Black, Billy. "POSITIVE MENTAL ATTITUDE: 5 ESSENTIAL YOUTH CREW RECORDS". Crack. Retrieved 24 August 2023.
  25. ^ Rettman, Tony (2015). NYHC : New York Hardcore 1980–1990. Brooklyn, NY. pp. 294–295. ISBN 9781935950127. Breakdown is considered one of the first "tough guy" bands to come out of New York. When Breakdown started playing, the Sick of It All demo had just come out a few months earlier. Sheer Terror was still slogging it out with demos, trying to make a name for themselves. The Krakdown demo had just come out, along with Leeway's Enforcer demo, plus Rest in Pieces and stuff like that. Some of the original NYHC bands were slowly disappearing, like Major Conflict, Reagan Youth, and Antidote. Around 1986 and 1987 a whole new wave of bands emerged that were influenced by the original New York bands but added something different.{{cite book}}: CS1 maint: location missing publisher (link)
  26. ^ Koenig, David (Aug 8, 2020). New York Hardcore 1986–1993. Mexico City: PPR. p. 109. I really soured on hard New York hardcore bands. I started avoiding shows with bands like Killing Time, Burn and Sick of It All, bands that I really liked. As the tough guy sound got more and more popular in the 1990s, the violence just got worse.
  27. ^ Levi, Josh (August 4, 2011). "Madball". River Front Times. Archived from the original on November 13, 2017. Retrieved November 12, 2017.
  28. ^ Ali, Reyan (November 23, 2012). "Q&A: Crime in Stereo Talk Breaking Up, Reuniting, What Cleveland Means, and the Two Types of Hardcore". Village Voice. Archived from the original on November 13, 2017. Retrieved November 12, 2017.
  29. ^ Andersen, Mark and Jenkins, Mark (2001). Dance of Days: Two Decades of Punk in the Nation's Capital. (New York: Soft Skull Press). ISBN 1-887128-49-2.
  30. ^ Blush, Steven (2001). American Hardcore: A Tribal History. (Los Angeles: Feral House). ISBN 0-922915-71-7.
  31. ^ The New York Hardcore Chronicles Film (Documentary). Event occurs at 14m. Retrieved 9 June 2021.
  32. ^ a b c d Sam McPheeters, "Survival of the Streets", Vice Magazine, 2010.
  33. ^ Abbey & Helb 2014, p. 142.
  34. ^ Pike 2017, p. 146-147.
  35. ^ Abbey & Helb 2014, p. 151.
  36. ^ Ambrosch 2018, p. 146.
  37. ^ Parker, Ben. "Age of Quarrel". n+1. Archived from the original on 5 September 2015. Retrieved 15 February 2019.
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